Glossary

Aperture

The opening in a lens through which light passes. Measured in f-stops (f/1.4, f/2.8, etc.), it controls depth of field and exposure.

DEC 18, 20243 MIN.Camera Settings

Shutter Speed

The length of time the camera shutter remains open to expose the sensor to light. Measured in seconds or fractions of seconds.

DEC 18, 20243 MIN.Camera Settings

ISO

The sensitivity of your camera sensor to light. Higher ISO values allow shooting in darker conditions but may introduce noise.

DEC 18, 20243 MIN.Camera Settings

Exposure Triangle

The relationship between aperture, shutter speed, and ISO that determines the overall exposure of an image.

DEC 18, 20243 MIN.Concepts

Depth of Field

The distance between the nearest and farthest objects in a photo that appear acceptably sharp. Controlled primarily by aperture.

DEC 18, 20243 MIN.Concepts

Bokeh

The aesthetic quality of the blur produced in out-of-focus parts of an image, often characterized by soft, circular highlights.

DEC 18, 20243 MIN.Concepts

Rule of Thirds

A composition guideline that divides an image into nine equal parts using two horizontal and two vertical lines.

DEC 18, 20243 MIN.Composition

Leading Lines

Lines within an image that lead the viewer's eye toward the main subject or through the photograph.

DEC 18, 20243 MIN.Composition

Golden Hour

The period shortly after sunrise or before sunset when daylight is redder and softer, ideal for photography.

DEC 18, 20243 MIN.Lighting

Blue Hour

The period of twilight when the sun is below the horizon and indirect sunlight takes on a blue shade.

DEC 18, 20243 MIN.Lighting

RAW

An unprocessed image file that contains all data captured by the camera sensor, allowing maximum editing flexibility.

DEC 18, 20243 MIN.File Formats

JPEG

A compressed image file format that is smaller in size but has less editing flexibility than RAW files.

DEC 18, 20243 MIN.File Formats

White Balance

The process of removing unrealistic color casts to ensure whites appear white regardless of lighting conditions.

DEC 18, 20243 MIN.Camera Settings

Histogram

A graph showing the tonal distribution in an image, helping to evaluate exposure and contrast.

DEC 18, 20243 MIN.Concepts

Focal Length

The distance between the lens and the image sensor when focused at infinity, determining the field of view.

DEC 18, 20243 MIN.Equipment

Prime Lens

A lens with a fixed focal length that cannot zoom but often provides superior image quality and wider apertures.

DEC 18, 20243 MIN.Equipment

Zoom Lens

A lens with variable focal length, allowing you to adjust the field of view without changing lenses.

DEC 18, 20243 MIN.Equipment

Metering

The camera's method of measuring the light in a scene to determine proper exposure settings.

DEC 18, 20243 MIN.Camera Settings

Chromatic Aberration

A lens defect causing color fringing around edges, especially noticeable in high-contrast areas.

DEC 18, 20243 MIN.Technical

Vignetting

The darkening of image corners compared to the center, which can occur naturally or be added in post-processing.

DEC 18, 20243 MIN.Technical

Multigrade Paper

Photographic paper that responds to different colors of light. One sheet can produce any contrast grade (00-5) by changing yellow or magenta filtration.

DEC 18, 20243 MIN.Darkroom

Bracketing

Taking multiple shots of the same scene at different exposures (normal, underexposed, overexposed) to ensure at least one perfect exposure.

DEC 18, 20243 MIN.Techniques

Test Strip

A darkroom technique where a strip of photographic paper is exposed in incremental steps to determine optimal printing time.

DEC 18, 20243 MIN.Darkroom

Contact Sheet

A print made by placing negatives directly on photographic paper, creating a reference sheet of all frames for selection and evaluation.

DEC 18, 20243 MIN.Darkroom

Paper Grade

The contrast level of photographic paper, ranging from Grade 00 (very low contrast) to Grade 5 (very high contrast). Grade 2 is considered normal.

DEC 18, 20243 MIN.Darkroom

Thin Negative

A negative that is pale and transparent due to underexposure. Prints flat and muddy at normal grades; requires high contrast grades (3-5) to compensate.

DEC 18, 20243 MIN.Film Photography

Dense Negative

A negative that is dark and opaque due to overexposure. Requires long exposure times and low contrast grades (00-1) to print successfully.

DEC 18, 20243 MIN.Film Photography

Grey Card

A card that reflects 18% of light, representing middle grey. Used for accurate light meter readings since all meters are calibrated to this standard.

DEC 18, 20243 MIN.Techniques

Reciprocity

The relationship where changes in aperture can be compensated by opposite changes in shutter speed to maintain the same exposure.

DEC 18, 20243 MIN.Concepts

Film Latitude

The range of exposures that film can tolerate while still producing an acceptable image. Greater latitude means more forgiving film.

DEC 18, 20243 MIN.Film Photography